Palmer Memorial Episcopal Church, Houston, Texas
The Reverend Neil Alan Willard, M.Div.
Proper 7, June 21, 2020

Jesus, Savior, may I know your love and make it known. Amen.

I don’t really know how old he was. A young teenager, I guess. What I do know is that he was laughing with his new friend, well, his brother, actually, half-brother.[1] They were part of the same family. They had the same father. His mother, born in Africa, was a slave in the household. His half-brother’s mother wasn’t from Africa and, as she would probably have said with indignity, was most certainly not a slave.

Somewhere along the way, he had gone from being a cute boy who played with her son to representing some kind of threat in her mind. And this was the day when she couldn’t take it any more. This was the day when seeing him laugh with her son — it was just too much. This needed to be dealt with. They needed to be put in their place and completely cut off the family tree.

Worried about the family inheritance, wanting her own boy, who was younger, to have it all, she went to her husband and said to him,

Cast out this slave woman with her son.[2]

So her husband arose before dawn, handed some bread and water to this slave, and sent her with her child away from his home forever and into the wilderness.

After there was nothing left to drink, she stopped to lay down her son under a bush before walking away, unable to bear watching him slowly die. And she wept, loudly, wailing as one who feels abandoned, even by God.

It’s remarkable that so much is written in the Bible about Hagar, the Egyptian slave, and her son Ishmael.[3] The other woman, Sarah, and their shared husband, Abraham, are the main characters at the beginning of the story of faith in the Book of Genesis. It would have been so easy to cut out the story of Hagar and Ishmael from the pages of the Bible just as Sarah wanted to cut them out of the will. But God wants us to hear their voices in the same way that God heard the cries of Hagar in the wilderness — at the moment Hagar thought she would soon be left to die alone.

God wants them and their story to live.

Whose stories do we set aside, dismiss as unimportant, bury deep in the ground to forget? Many Black Americans, like their parents and grandparents, memorialize what happened 155 years ago about 50 miles from where I’m standing. It took place on June 19, one day after more than 2,000 Federal soldiers had arrived in Galveston. That’s when Major General Gordon Granger read aloud General Order No. 3:

The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free.[4]

General Granger read those words two and a half years after the Emancipation Proclamation had been issued. And so that date, June 19, became a holiday called Juneteenth. It celebrated the end of slavery within the Confederate states in rebellion. Texas was the most remote of those states and the last refuge of slaveholders who tried to retain what they considered to be their property.

By the time of Juneteenth, somewhere between 50,000 and 150,000 enslaved people had been essentially herded like cattle westward into Texas as slaveholders tried to get beyond the reach of the Union army.[5] As Dr. Caleb McDaniel of Rice University writes in his Pulitzer Prize-winning book Sweet Taste of Liberty:

No one was sure exactly how many came, but it was more than enough to make most of the state’s roadways impassable [as a result of heavy use].[6]

The Mayor of Houston said that before this Juneteenth, before last Friday, two Confederate monuments in our city would be taken down. One of them, honoring Dick Dowling, was located just a short walk down Cambridge Street from Palmer. It was moved there from another location in 1958.

I took both of my sons there on Wednesday afternoon as that was happening. I wanted them to see it and to know that Juneteenth wouldn’t be Juneteenth without Dick Dowling, but not in a good way. Enslaved Texans could have been freed two years earlier in the absence of his most famous Confederate victory, the one for which he’s remembered, the reason why there was a statue of him in his uniform.[7]

Because Dowling and his soldiers were all Irishmen, the Roman Catholic Church got to be front and center when his statue, which was the first publicly financed art in the City of Houston, was dedicated on St. Patrick’s Day in 1905. A Catholic priest offered the invocation, and it was a huge community event, with the governor as guest speaker. The governor referred to the President of the Confederacy as:

. . . the grand old man . . . [who had] lived through it all — through pain and through the shame of the shackels.[8]

He was referring to the pain and imprisonment of Jefferson Davis, not the pain of an overseer’s whip that made blood flow or chains that held Black bodies in bondage.

When the other monument, “The Spirit of the Confederacy,” was dedicated three years later in Houston, a different member of the clergy was invited to give the opening prayer. He was introduced by a judge who recalled:

. . . the toil and the hardships of the journey from the valley of humiliation and weakness through darkness and oppression to the heaven-kissed heights of prosperity and power.[9]

Those are interesting words to have chosen to describe past adversity since he was referring to the humiliation and supposed oppression of white people only.

Anyway, he went on to say it was “meet and fit that we should invoke [God’s] blessing upon this assembly and these ceremonies” before inviting the Rev. Peter Gray Sears to do that.[10] The Rev. Mr. Sears was the Rector of Christ Church downtown, but about 20 years later he would become the first Rector of Palmer Memorial Church.

In his prayer, the Rev. Mr. Sears described those who fought in rebellion as having:

. . . [poured] out their heart’s blood in sacramental sacrifice for others who should come after them.[11]

Others would say similar things. One of the speakers embraced the title “rebel” as a rebellion against oppression, calling the war a battle for liberty that was not won but lost. He made no mention of the millions of Black bodies that had been set free.

It’s not just that these statues don’t reflect the values of the whole community today. They never did, even when they were dedicated before cheering crowds, before cheering white crowds. The “our” in speeches given on those civic occasions was never meant to include Black Americans, but it was intended to send a message. After Reconstruction and elections marked by voter intimidation, including threats of physical violence, Black citizens and their political allies were kicked out of office and laws were enacted to disenfranchise them throughout the South.

It’s only after that happened, after the old order had been reestablished in a new form, after Black people had, from the perspective of white supremacy, been put back in their place, that these statues began to appear in front of courthouses and in other public spaces. So I’m grateful they’re now being contextualized.

As a priest, I’m also aware of this truth about myself as a sinful human being: If it had been me instead of one of my predecessors who had been invited to pray over the crowd assembled in front of “The Spirit of the Confederacy,” I would have been there. It’s too easy to pretend otherwise, to imagine that I would have been different, to judge others while self-righteously pardoning myself. But that would be a lie.

Of course, I have no idea what I might have said, especially if my own father had fought in defense of slavery and my childhood had been shaped to remember that in a particular way. I hope I wouldn’t have referred to blood shed as a “sacramental sacrifice for others” unless talking about our Lord Jesus Christ, whose mercy and love embrace the whole world, including Black lives. But I have no doubt that I would have made a racist idol with my words, like Aaron the priest placating the people at Mount Sinai, albeit with poetic subtlety.[12] And I surely do that now, participating in structures that have extended privileges to me time and time and time again.

One of the things that makes the Bible unique in the ancient world is its willingness to look at the underbelly of history, to see things as they really are, not as we wish them to be. The Bible invites us to make a true confession, to lament our sins and the suffering that far too many people endure in this world, not only in past centuries but also now, and to reach out to those whom we’ve hurt. That invitation is extended to everyone from ordinary people of God to the kings of Israel, from the disciples who followed Jesus to you and me, who are trying to follow Jesus too. 

The Bible also reminds us to make room for others, bringing them into wide spaces where they can breathe and where their voices can be heard, just as the Bible itself creates space for the voice of Hagar and the laughter of Ishmael.[13] And I think that’s part of our calling as a church in this time of social unrest and protest.[14] Just as Hagar cried out in the wilderness, a lot of people are crying out for justice today.

They might not be speaking to God. Some might not even believe in God. But surely the God of Hagar, Sarah, and Abraham hears their cry. And if we’re willing, through the power of the Holy Spirit, to help them and their story to live, we might find that one of the persons who is set free and able to breathe in wide spaces is ourself.

AMEN

1 BACK TO POST Some translations say Ishmael was mocking his half-brother Isaac. Others say he was playing with him. The Hebrew word can also mean laughing.

2 BACK TO POST Genesis 21:10.

3 BACK TO POST Genesis 16:1-16, 21:4-21.

4 BACK TO POST Michael Davis, “National Archives Safeguards Original ‘Juneteenth’ General Order,” National Archives News, June 19, 2020.

5 BACK TO POST Caleb McDaniel, Sweet Taste of Liberty: A True Story of Slavery and Restitution in America (New York: Oxford University Press, 2019) 148.

6 BACK TO POST Caleb McDaniel, Sweet Taste of Liberty: A True Story of Slavery and Restitution in America (New York: Oxford University Press, 2019) 148.

7 BACK TO POST Caleb McDaniel, “Opinion: Houston is right to choose Juneteenth over Dick Dowling Confederate monument,” Houston Chronicle, June 12, 2020.

8 BACK TO POST Samuel Willis Tucker Lanham, quoted in “Unveiling Ceremonies Were Impressive,” Houston Daily Post, March 18, 1905.

9 BACK TO POST Norman G. Kittrell, quoted in “Unveiling of Spirit of the Confederacy,” Houston Daily Post, January 20, 1908.

10 BACK TO POST Norman G. Kittrell, quoted in “Unveiling of Spirit of the Confederacy,” Houston Daily Post, January 20, 1908.

11 BACK TO POST Peter Gray Sears, quoted in “Unveiling of Spirit of the Confederacy,” Houston Daily Post, January 20, 1908.

12 BACK TO POST Exodus 32:1-35.

13 BACK TO POST That image of being brought out of a place of constriction and into a broad place where one is able to breathe comes from these words in Psalm 31:

I hate those who cling to worthless idols, *
and I put my trust in the LORD.

I will rejoice and be glad because of your mercy; *
for you have seen my affliction; you know my distress.

You have not shut me up in the power of the enemy; *
you have set my feet in an open place.

14 BACK TO POST The Rev. Christopher L. Epperson, who is the Rector of Bruton Parish Church in Williamsburg, Virginia, wrote a message to his congregation yesterday that explained how the stories of Black Americans have too often been considered less important to the writers of history and included this paragraph:

In the days to come, we will remove the boards from our church windows, which were placed there in the face of real threats. I hope that we, like our beloved church, can lower the armor we use to protect ourselves. I hope the scales will fall from our eyes so we see the suffering and needless injustice around us. I hope we will see how we participate in and perpetuate injustice. I hope we can remove the stuffing from our ears, and hear the stories and experience of our black neighbors.

Palmer Memorial Episcopal Church, Houston, Texas
The Reverend Neil Alan Willard, M.Div.
Christmas Eve, December 24, 2018

Loosen a little our grip, O Lord, on our words and our ways, our fears and our fretfulness, that finding ourselves found in you, we may venture from the safety of the shore and launch afresh into the waters of grace with Christ, the Morning Star, as our guide.[1] Amen.

When I was in college, I remember attending Christmas Eve services at St. Paul’s Episcopal Church in downtown Winston-Salem, North Carolina. One of the head ushers always stood out on that holy night. And I would have been disappointed if he hadn’t been there. He could be seen marching up and down the aisles in some of the most wonderfully outrageous Christmas trousers you’ve ever seen. It was surely the only time of the year that he would’ve dared to wear such clothing in that church. Of course, he wasn’t alone. There was lots of other playful attire in the pews on people who would normally be dressed rather conservatively, to say the least.

My former boss, who is now the Bishop of Southern Virginia, has a similar, fond memory of a guy who would wear the same socks to one of his former churches every Christmas Eve, showing them off at the door as he greeted the clergy. They were green, with little silver bells all over them, so he would jingle as he walked around. Christmas brought out something playful in him, something of the joy and wonder we see in children and ask God to give to newly baptized Christians.[2]

More than a few of you here tonight understand that sense of playfulness. As usual, our decoy ducks in the fountain in Palmer’s courtyard are all dressed up for the Christmas season with bright red bows around their necks. I’m also sure that there are candy cane neckties, bow ties with lights, Santa pins that play music, and red and green sparkling earrings out there in the darkness, waiting to be noticed with a little grin and a wink. At the last service, two brothers were wearing matching red sweaters with Christmas trees and lights that could blink and sitting together in the first pew, right in front of the pulpit. At this service, one of our ushers is sporting corduroy pants with black Labrador Retrievers adorned with Santa hats on them.

For some people, all of this is a kind of false religion, a form of escape from sadness, sickness, disappointment, and the darkness of the world. For the rest of us, however, it’s a reminder that true joy can be found in the midst of those harsh realities and that, as Isaiah declared, “on those living in the land of the shadow of death a light has dawned.”[3] Yes, the darkness is great, but not greater than God.

The light that dispels our night is Jesus, who came from “the realms of glory” as Emmanuel, which means God-with-us.[4] He has come to share our life not as we wish it to be, but as it really is. He’s forgiven us in spite of our failures and our hard-heartedness. Only a love that comes from above, embracing the unlovely, the unlovable, those who are suffering, those who are lonely, and those who’ve been forgotten is able to make real and everlasting the enchantment of this holy night.

And we believe Jesus embodies that love.

Earlier today at the first Eucharist of Christmas, our beloved Associate Rector, the Rev. Liz Parker, came with her boys, who are young adults, and sat near the front on the Nativity side of the church. As many of you know, she was away from Palmer throughout the season of Advent because her husband, the Rev. Andy Parker, was hospitalized multiple times over the last several weeks due to complications from cancer. Andy died a week before Christmas Day, and his funeral will take place later this week, in this church, while it’s still decorated for this holy season.

At the end of November, after having waited with Andy in the emergency room for 11 hours, Liz said she cried out to God as they sat there, praying, “God, where are you? I need to see you here!” And when they finally got moved into a hospital room, Andy’s nurse introduced himself to them, saying, “My name is Emmanuel.” The same Love that came down at Christmas was in the room with them, surrounding them, comforting them, reminding them of Jesus.

The miracle isn’t that we are only able to see the love of Jesus reflected in a nurse named Emmanuel, but that we also see the love of Jesus in the face of a nurse named Mary, a janitor named Ronnie, a teacher named Eleanor, a waiter named Joseph, a priest named Mollie, a doctor named Carlos, a police officer named Yolanda, a UPS driver named Gabe, a stranger sitting next to us in the pew, and a parent named Clyde, Shirley, Dale, or Linda. Those are real people, by the way, and there are real people in your own life who have shown you the love of Jesus when you needed it.

And the promise isn’t that every story will have a magical ending before the dawn of Christmas morning. No, the promise of the gospel is that God came into the world in a very real way and will always and forever embrace us even through — especially through — our darkest night. What makes this night magical is the belief that “God has intervened” and is, as Episcopal priest Fleming Rutledge has written, “[creating] a new kingdom where no evil and no disappointment can ever enter.”[5]

Whenever I think back to the times that my sons, as babies, fell asleep on my chest, I’m reminded of Mary’s newborn child in the manger and that God chose to appear among us not in a blaze of imperial glory but with a different kind of glory, that of an infant. That’s the mystery of the incarnation, which we celebrate tonight.

It’s the unbelievable fact that God said to his creation: “I love you so very much that I’m willing to become like you. I’m willing to experience what you experience, to feel what you feel, to think what you think, to suffer as you suffer, and, yes, even to laugh as you laugh.” It is through becoming one of us that God draws us and the whole world to himself. It is Jesus, the Lamb of God, who takes away the sin of the world.

I close with a lovely meditation on the Nativity that I hope is personally meaningful for each of us in this church tonight and for all of those whom our prayers surround with the love of Jesus. It’s written by the 16th-century reformer Martin Luther, who reminds us to laugh and to trust this newborn child more than we trust ourselves:

Behold Christ lying in the lap of his young mother . . . Look at the Child, knowing nothing. Yet all that is belongs to him, that your conscience should not fear but take comfort in him. Doubt nothing. Watch him springing in the lap of the maiden. Laugh with him. Look upon this Lord of Peace and your spirit will be at peace. See how God invites you in many ways. He places before you a Babe with whom you may take refuge. You cannot fear him, for nothing is more appealing to [men and women] than a babe. Are you affrighted? Then come to him, lying in the lap of the fairest and sweetest maid. You will see how great is the divine goodness, which seeks above all else that you should not despair. Trust him! Trust him! Here is the Child in whom is salvation. To me there is no greater consolation given to [humanity] than this, that Christ became man, a child, a babe, playing in the lap and at the breasts of his most gracious mother. Who is there whom this sight would not comfort? Now is overcome the power of sin, death, hell, conscience, and guilt, if you come to this gurgling Babe and believe that he is come, not to judge you, but to save.[6]

To the words of that meditation, I say, “Amen,” and to you,

“MERRY CHRISTMAS!”

1 BACK TO POST Revelation 22:16, among the Bible’s last words, refers to Jesus as “the bright morning star.”

2 BACK TO POST From the baptismal liturgy in The Book of Common Prayer (1979):

Heavenly Father, we thank you that by water and the Holy Spirit you have bestowed upon these your servants the forgiveness of sin, and have raised them to the new life of grace. Sustain them, O Lord, in your Holy Spirit. Give them an inquiring and discerning heart, the courage to will and to persevere, a spirit to know and to love you, and the gift of joy and wonder in all your works. Amen.

3 BACK TO POST Isaiah 9:2 (New International Version 1984).

4 BACK TO POST James Montgomery (1771-1854), 1816:

Angels from the realms of glory
wing your flight o’er all the earth;
ye who sang creation’s story
now proclaim Messiah’s birth:
come and worship, come and worship,
worship Christ, the newborn King.

5 BACK TO POST Fleming Rutledge, Advent: The Once & Future Coming of Jesus Christ (Grand Rapids: Eerdmans, 2018) 389.

6 BACK TO POST Martin Luther, excerpt from a Christmas sermon in Martin Luther’s Christmas Book, edited by Roland H. Bainton (Minneapolis: Augsburg, 1997), quoted on the Mockingbird blog, December 24, 2010.

Palmer Memorial Episcopal Church, Houston, Texas
The Reverend Neil Alan Willard, M.Div.
Proper 15, August 19, 2018

Lord, we pray for the one who preaches. For you know his sins are many. Amen.

As you came into the church this morning, there were probably a few things that caught your eye, like the brand new, bright yellow lines in the south parking lot and glorious sunflowers shining over the altar on both sides of the cross and festive t-shirts worn by many of our members who will be sent out at the end of worship in groups to serve our neighbors on Serve Sunday. Some of the shirts say “God Thinks You’re Fabulous,” which, for us, is another way of saying that we believe God looks at people, who’ve been created in his own image, with the eyes of Jesus and loves them. We are all forgiven, embraced, and accepted in the merciful arms of our Savior.

But there’s one other thing. Unless today is the very first time you’ve ever walked into this beautiful house of worship, you probably also noticed, and perhaps keep staring at, the baptismal font. That’s the impressive stone bowl on a pedestal where people, young and old, are baptized with water and adopted into the household of God. Yes, it has indeed been moved. That is the truth. The whole truth, however, is that it’s been moved back to where it used to be. So the balance between Water and Word, which is to say the font and the pulpit, has been restored at the front of the church. Now we’ll pass through both of those things that are constantly shaping our Christian life as we come to the Table in the middle to bless the bread and the wine for holy communion. I’ll say more about the baptismal font in a moment.

But, first, a story. The first ordained minister that I can remember at Union Cross Moravian Church in Forsyth County, North Carolina, wasn’t the one who baptized me as a baby but the pastor who followed him. He was the Rev. Edward T. Mickey, and we called him Mr. Mickey, in the same way that Episcopal priests used to be addressed universally in past generations in America. He was just as talented, if not more so, in the realm of music as he was well-read in the area of theology.

Mr. Mickey had once been the Pastor of Grace Moravian Church in Mount Airy, which is located in the foothills of the Blue Ridge Mountains. And that’s where, on a Wednesday afternoon in 1942, he heard the sound of a bicycle come to a sliding, screeching stop at the back door of the church. Riding that bike was a 16 year old boy who saw Mr. Mickey sitting there on the back steps and wanted to know if he was the preacher. He said that he was. The teenager then asked Mr. Mickey if he could teach him how to play a trombone so that he could lead a swing band.

That teenager turned out to be the future actor Andy Griffith, who did learn all about music in that church — how to read it, how to play it, how to sing it. That was a real turning point in the life of Mr. Griffith, who would later major in music in college at Chapel Hill before the start a well-known career in entertainment.

I thought about that story when I read today’s assigned passage from the Letter to the Christians in Ephesus. Although a lot of people reduce these words to a lesson about the virtues of temperance, it’s not meant to forbid those who don’t struggle with addictions from enjoying a festive drink with a little pink umbrella atop the glass. That’s very different than orienting your life around the drunken orgies of the worship of Dionysius, the god of wine, in the Asiatic world of the ancient Ephesus.

In the letter that slowly made its way to that city, those Christians are simply being reminded that their community of faith ought to be oriented around something else, something that is life-giving not only for themselves but also for others:

. . . be filled with the Spirit, as you sing psalms and hymns and spiritual songs among yourselves, singing and making melody to the Lord in your hearts, giving thanks to God the Father at all times and for everything in the name of our Lord Jesus Christ.[1]

And is it not here, within these walls, where we learn how to sing in the world? For us, that begins at this font, which the infant Jesus, being held in the arms of his mother, now overlooks and blesses. Can’t you hear, if only faintly, the song of his mother, the song of Mary? Out of the baptismal waters, her words become our own:

My soul doth magnify the Lord,
and my spirit hath rejoiced in God my Savior. . . .

He hath showed strength with his arm;
he hath scattered the proud in the imagination of their hearts.

He hath put down the mighty from their seat,
and hath exalted the humble and meek. . . .[2]

And when we go out these doors to serve others, it’s just an extension of singing this and other songs we’ve learned in one another’s presence. But it all begins, for us, at this font, and I love how the author and pastor Eugene Peterson describes that:

Baptism marks a radically new way to understand ourselves and one another: not by race, not by language, not by parents and family, not by politics, not by intelligence, not by gender, not by behavior. All of these various ways of accounting for ourselves are significant, but none is definitive. Holy baptism defines us as holy, as saints. Baptism is definitive . .

We continue to maintain this identity by keeping company with people who have firsthand knowledge of who we are . . . These same [men and women] embarrass us with their haphazardness, exhilarate us with their joy, offend us by their inconsistent lives, comfort us with their compassion, [badger] and criticize us, encourage and bring the best out of us, bore us with their blandness, stimulate us with their enthusiasm. But we don’t choose them. God chooses them. We keep company with the men and women God chooses. These saints.[3]

The font in a church ought to invite exploration, not be half-fenced off as ours often seemed like it was when it was in front of the pulpit. Now you can freely walk around the entire font. And so not only children are encouraged to come and do that but also adults. If you have little ones, lift them up so they can see with their own eyes the inside of the bowl. Then take a look at the symbols outside that basin and notice, in particular, the eight sides of the base. It’s important for that not to be obscured.

That octagonal shape was a symbol in early Christianity of the resurrection, with the Lord’s Day, Sunday, being not the first day of the week, as we usually think of it, but the eighth day of creation. It reminds us of a new creation, a new song, that began at the empty tomb on Easter morning and that begins, for us, at this font as people of all ages, from infants to the elderly, are baptized, bathed in forgiveness, washed lavishly in God’s grace, named publicly as God’s beloved children.

On Friday afternoon, as I was driving both of my boys to their music lessons, the radio in the car was tuned in to NPR and the first thing that I heard was the classical violinist Yo Yo Ma was being interviewed. Actually, what I heard first was him playing the gently rolling prelude to the first of Bach’s six Cello Suites. Mr. Ma started violin lessons at four years of age, and the first several notes of that prelude are what he learned on his first day. The next set of notes are what he learned on his second day, and so on and so forth. He learned all of it slowly, incrementally.

The music of Bach’s six Cello Suites have been his companion for the last 58 years. That music, like the Book of Psalms in the Bible, is, as NPR put it, “two-and-a-half hours of sounds that map humanity in all its triumphs, joys and sorrows.”[4] Mr. Ma has played that music at the weddings of his friends and also at their funerals. He played it after 9/11 and on very different kinds of celebratory and joyous occasions.

I think that’s a beautiful image of how we learn to sing the right notes throughout the different chapters of our lives, the lives of our loved ones, and the lives of our neighbors. And how could I speak of singing on this Lord’s Day without mentioning, with R-E-S-P-E-C-T, Aretha Franklin, who died on Thursday in the City of Detroit?

I loved this title of an article in the New York Times last week: ‘Amazing Grace’: How Aretha Franklin Took Us All to Church.[5] Her father was a Baptist minister, and, not surprisingly, she used to sing gospel music in his church. Although the Times piece was about a particular album called Amazing Grace, there’s something about the way Ms. Franklin sang that carried much of that out into the world, even if the words she was singing weren’t religious in any way, shape, or form. There was a sense that we were going to church. And when she sang at the Presidential Inauguration in 2009, she wore a magnificent hat, as though she had dressed for church on that day.

Now some of you are thinking to yourself, “I’m never going to be like Yo Yo Ma on the cello or the Queen of Soul with my voice,” even metaphorically.  So I want to tell you the part of the story about Mr. Mickey and Andy Griffith that usually gets left out. In his own retelling of it, Mr. Mickey said he was sitting on the back steps of the church that afternoon in 1942 at what seemed like a real low point.[6] He had just finished his weekly band practice with his volunteer players, and they hadn’t practiced and didn’t seem very interested. And so he was feeling sorry for himself as he sat there.

In The Player: A Profile of an Art, which is a 1962 collection of reflections by actors, Mr. Griffith wrote these words:

For three years, he gave me a free lesson once a week. Ed Mickey taught me to sing and to read music and to play every brass instrument there was in the [church] band, and the guitar and the banjo besides. I was best at playing the E-flat alto horn.

When I was sixteen, I joined the church, together with my mother and daddy. . . . I was very happy with the Moravians. All the other band members accepted me. They didn’t ever make fun of me.[7]

Those lessons were mentioned in Andy Griffith’s obituary in The New York Times, along with the painful memory of having been called “white trash” as a child.[8] The band members at the church, including Mr. Mickey, embraced him with the love of Jesus. They showed him what the love of Jesus looks like in the world around us, what the love of Jesus looks like in our lives, not as we wish them to be, but as they really are. That’s the real music he was learning there — the music of divine love.

And that’s what each of us can share with others, the song that each of us, being filled with the Spirit, can sing in the world beyond these walls. . . today.

This I believe.

AMEN

1 BACK TO POST Ephesians 5:18-20.

2 BACK TO POST “The Song of Mary,” The Book of Common Prayer (The Church Hymnal Corporation: New York, 1979), 65.

3 BACK TO POST Eugene H. Peterson, Practice Resurrection: A Conversation on Growing Up in Christ (Grand Rapids, Michigan: Eerdmans, 2010), 83-84.

4 BACK TO POST Mary Louise Kelly and Tom Huizenga, “Yo Yo Ma, A Life Led with Bach,” NPR, August 17, 2018. See also the transcript of that interview.

5 BACK TO POST Wesley Morris, “‘Amazing Grace’: How Aretha Franklin Took Us All to Church,” New York Times, August 17, 2018, 216-217.

6 BACK TO POST Edward T. Mickey, Jr., “The Andy Griffith I Know,” The Wachovia Moravian, February, 1968.

7 BACK TO POST Lillian Ross and Helen Ross, The Player: A Profile of an Art (New York: Simon and Schuster, 1962), 216-217.

8 BACK TO POST Douglas Martin, “Andy Griffith, TV’s Lawman and Moral Compass, Dies at 86,” New York Times, July 3, 2012.